April
2004
National Standard: 2 - Performing on instruments alone and with others.
4
- Composing and arranging music within specified guidelines.
6
- Listening to, analyzing and describing music.
7
- Evaluating music and music performances.
Objective: The
students will demonstrate their understanding of the structure of a canon by
composing melodies and variations over Pachelbelšs Theme from the Canon in D.
Materials: A networked keyboard lab with computers
and headphones.
Definition of a Canon Student Handout.
Musical Example from Pachelbels Canon Student File.
Pachelbelšs Canon in D Student File.
Procedure:
1.
Teacher distributes
the Definition of a Canon
handout.
2.
Teacher introduces the
concept of a canon and how it is constructed. Teacher reviews the handout with the students to answer any
questions that they might have.
3.
Using a computer with
notation software, speakers, and a projection device, the teacher will open the
Musical Example from Pachelbelšs Canon Student File (this lesson uses Sibelius, but any notation software may be used).
4.
Teacher will play the
example for the students and discuss the structure of Pachelbelšs Canon and how
it relates to the definition discussed in the Definition of a Canon handout.
5.
Students will discuss
the melody over the theme in the bass and discuss how it relates to the
harmonic structure of the canon.
6.
Students will then
open the Pachelbelšs Canon in D
Student File on their computers and compose their own melodies over the given
theme in the bass. Students should
stay within the harmonic structure outlined by the theme.
7.
After sufficient time
(perhaps 2 or 3 class sessions), students will perform their compositions for
the class using the playback function of the notation software.
8.
Teacher and students
discuss the success of each composition.
9.
After each student
composition has been performed, teacher will replay the original Canon in D for the students using the Musical Example from
Pachelbelšs Canon Student File.
10. Teacher and students discuss how their compositions
relate to the original.
Extensions: Students
could score their canons for acoustic instruments that could then be performed
by live musicians.
Students
could create their own theme for the canon, and build melodies over them.
Teacher
could record each composition using either an analog or digital audio recorder
to archive the performances for later critique/discussion.